Showing posts with label Webbingbabel Collection. Show all posts
Showing posts with label Webbingbabel Collection. Show all posts

Webbingbabel Collection


Online collection


A selection of 4,700 of the approximately 40,000 objects in the Webbingbabel Museum's collection can be consulted on this site. The images can be downloaded and freely reused under the Creative Commons CC BY 2.0 license.

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Explore the collection through new writings, videos, and creative responses from faculty, students, curators, and artists.
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The Webbingbabel Museum collection is central to the museum’s mission of object-based learning. We are regularly adding artworks and stories to the online collection, and welcome your comments. Check back often!

Explore the collection through new writings, videos, and creative responses from faculty, students, curators, and artists.


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Collections and Exhibitions

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Webbingbabel

Welcome at the Webbing Babel Museum website. At present we are a virtual museum in Europe, that can only be visited on the internet 24 hours a day. However, we do have a physical collection, and organise exhibitions, events in cooperation with other organisations.






 M-1956 / M-1967 /Alice / MOLLE / MOLLE II / SPEAR / RACK / FSBE / FSBE II / DGLCS / MBSS / MLCS / LBT MLCS / SOFLCS / SFLCS / RLCS / MCLCS / DFLCS / DLCS-DIG2  / DLCS-DG3A / STAK / MBRLCS AOR1 / MBRLCS AOR2





RBA / -- / MMAC / MMAC AOR1 / 











Exhibitions 

Galleries

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Watch , Play , Listen

Explore Our Galleries on Line

by Theme


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Disclaimer

The objects, images, text, and all other content presented by kommandopost.com (the “website”) are intended purely for informational and historical archival purposes. Objects featured come from the site owner’s personal collection unless otherwise stated and no endorsement for ideology, tactics, policies, etc. of their current and former historical users is implied by their inclusion on this website. The text has been written to be as neutral as possible, for example using the term “insurgent” instead of “terrorist” to refer to non-state armed irregular groups. Images, particularly usage images, are posted with their original captions if known, transcribed for historical context. Sources for information, including primary sources, secondary research, collectors’ observations, and eyewitness accounts, are provided and cited whenever possible with the intention of being evidence of claims published on the site and of respecting their original owners’ copyright on intellectual property. All sources remain the property of their creators. The content of the sources is the property and responsibility of the source’s creator. Primary and scholarly sources, official government and press archival material (Associated Press, Reuters, and similar), and politically neutral sources are prioritized for inclusion. Images and sources may include content that could be offensive and/or disturbing to modern audiences. These must be taken in the context of the historical period they were created in. Again, no endorsement for ideology, political stance, methods, policies, etc. of any form is implied by the source’s inclusion. Due to the nature of research, content is subject to change and update at any time. If you cannot handle this, please discontinue browsing kommandopost.com.







Collection by Country




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Collections and Exhibitions

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Webbingbabel by Country 

Argentina

Bosnia
Brazil 

Chile 
Czech Republic 


Greece / Hungary / Iran / Iraq
Ireland / Israel / Italy / Japan / Lithuania
Netherlands / New Zealand / Norway
Poland / Portugal / Romania / Russia 
Singapore / Slovenia / Slovakia 
South Africa / South Korea / Spain / Sweden / Switzerland / Ukraine / UK / Vietnam / Yugoslavia 








 





  • See how artists respond to the seasons and our changing environment

  • Bridget Riley, ‘Nataraja’ 1993


    Explore Clothing Layering Systems / Webbingbabel Collection 
  • Mona Hatoum, ‘Performance Still’ 1985, 1995

    Find stories of women artists and their contributions to the art world



 





  • See how artists respond to the seasons and our changing environment

  • Bridget Riley, ‘Nataraja’ 1993

    Explore mindfulness through the art and artists within Tate's collection
  • Mona Hatoum, ‘Performance Still’ 1985, 1995

    Find stories of women artists and their contributions to the art world


















































































































































































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WebbingBabel Wanted Items

Collection 

WB Wanted Items / Gear

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Wanted Items


We are always interested in expanding our collection of gear and documentation. If you have anything to offer that you think might be interesting for the WB  Museum, please do not hesitate to contact us. In addition, we are looking for the items listed below. If you can help us with any of these, please contact us.l.


Documentation Wanted

User Manual for ...........



Load-Carrying Equipment Wanted




Canteens Wanted

Argentine Army Plastic Canteen 1982



Personal Gear Wanted 






Anything Else

We are, of course, interested in any other item that fits the collection, even if it is not listed here. If you have additional information, or if you have surplus equipment that you want to share, please contact us.





Other wanted Items







Webbingbabel Conservation



CONSERVATION

We manage, preserve and enable access to our collections in both physical and digital format



Italian Army Canteen M75




What is Digital Preservation? 

Digital Preservation has two key elements:
  1. The protection of a digital file from loss or degradation
  2. Ensuring the information contained within the file remains accessible by the intended audience with the tools they might reasonably be expected to have available to them. This usually means migrating information from obsolete file formats to a current format.
  • Records Management and Archives have traditionally managed the physical artefacts in their collections, and more recently digital facsimiles have been used to provide easier and wider access to their collections. 
  • The physical items remain available to be copied again, should the digital facsimile become corrupt. As technology has improved, early digital facsimiles have been replaced with higher resolution files that sometimes reveal more detailed information than the original itself e.g. faint markings, pencil notations, etc. This means that occasionally if the original artefacts are too damaged or are too costly to store, then the high res digital file becomes the Archival Master.
  • In recent decades, more and more content has been generated digitally whether it is in the form of documents, emails, spreadsheets, databases or other file types. This Digitally Born content may never be reproduced in a physical form, however the need to preserve these files as records for an organisation remains the same as for the physical objects.
  • Digital files can be subject to degradation through loss or corruption (bit rot), so the digital files need to be stored in a secure environment where they can be counted and assessed, and where digital conservation and preservation processes can be applied where necessary.


Thanks to : (Recollectms)